I can’t imagine Dylan Thomas as an old man. But I bet that even at the age of a hundred his voice would be interesting. Here is a link to him reading Do Not Go Gentle.
On the hundredth anniversary of his birth, there’s a lot of Dylan in the media. No bad thing, that. Michael Sheen and Kate Burton will perform in a production of Under Milk Wood in New York; on the stage where it was first performed. But if there’s a place I’d like to be today, it’s at Swansea Grand Theatre where a 36 hour Dylan-fest is taking place. The festival was opened yesterday by Jo Brand, and will include readings by schoolchildren and actors such as Lisa Rogers, Helen Griffin, Ian McKellan, and Sian Phillips. Ireland’s President, Michael D. Higgins, is visiting Wales and will drop by to take part in the celebrations. And why not? Thomas had an Irish wife – Caitlín MacNamara. Better still, a County Clare wife! I like to think of him as one of Ireland’s ‘literary in-laws’.
I love Dylan, plain and simple.
At a long-ago Dublin Theatre Festival, I sat enthralled by Emlyn Williams’s one-man show about Thomas. I’ve performed excerpts from Under Milk Wood so I have huge affection for the play. I harbour a secret ambition to direct a production for local radio. And, if I do get to do it, I’m bloody well singing Polly Garter’s song myself!
When I was acting, I tracked down a copy of the original recording of the play on cassette at McCullagh Piggots music shop in Dublin. That wasn’t today nor yesterday, either. Those tapes are the reason I still have a cassette player. Here is Kate’s father, Richard Burton, reading from Under Milk Wood You might like to check out this site as well: http://bbc4free.blogspot.ie/2012/04/dylan-thomas-under-milk-wood.html
Or, perhaps, this:
There are the stories and the poetry and the lectures and the lies and the legends and the half-truths and the drink and the hard work and New York and the Larne boat- house and the laughter and the tears and Dylan reading Dylan and others reading Dylan.
Off you go now and find some of them.
Me, I’m going to light the fire, make a cuppa, and listen to those cassettes again.
“To begin at the beginning: …”
A storm broke as I set off yesterday evening from my parents’ house in Ennis, heading for the launch of The Stony Thursday Book at the Cuisle Poetry Festival. By the time I reached the edge of Limerick, a monsoon was pelting itself at the windscreen. I skirted around the back of the North Circular Road, along a roadway cut between its back gardens and the banks of the Shannon. In the downpour , afraid to take my eyes off the road, I flung a thought in the direction of the first home I had known. Further on, before I headed for the bridge, I did the same to the last house on the left : my mother’s old home; where my Great-Grannie Fitzell had died.
You submit. You hope. You get rejections. And – in the words of dear Samuel Beckett – you go on. Sometimes the email brings good news. In August, Peter Sirr – guest editor of this year’s Stony Thursday – emailed to say he was accepting two of my poems. He doesn’t know it, but his email couldn’t have arrived on a better day.
The book is a thing of beauty, thanks in no small part to the artwork by John Shinnors – one of my favourite artists. Among the many contributors are Sara Berkeley, Moya Cannon, Gerard Smyth, Mary O’Donnell, Fred Johnston, Thomas Lynch, Harry Clifton … I could go on and on.
It was great to meet Peter at last and there were a few familiar faces around. Eiléan NI Chuilleanáin and Macdara Woods will be reading later in the weekend. Both gave us a preview last night, reading their contributions to the anthology. Also reading were John Sexton, Jo Slade, Noel King, Knute Skinner, Paddy Bushe … and your humble correspondent!
Later in the evening Paddy, Slovenian poet Veronika Dintinjana, and Nuala Ní Dhomhnaill gave marvellous readings of their work. The variety one encounters at poetry readings never ceases to amaze me. It was a hugely enjoyable evening. And while Paddy and Nuala may be familiar to some of you, return to them. Veronika’s work – she read in Slovenian and English – is like a precision bombing. A quiet comfortableness created, then a line comes in for the kill before you see it coming.
It was a special moment for me. The last time I had been in the Belltable (as it then was), I was acting with Island Theatre Company. Then, my Grannie was alive. Now, reading Limerick in Spring, 1918 I could bring her, her siblings, and my great-grandmother back – if only for a few moments. The poem is an attempt to funnel the Great War into an Irish domestic setting, and to acknowledge a part of Irish life that was almost written out the history books: something as simple as giving soldiers a Sunday tea.
As the readings finished, Nuala Ní Dhomnaill, who was sitting across from me, said that she thought my poem was beautifully ‘achieved’. Well, dear Reader, it was just as well I was sitting down, or I’d have fallen out of my standing. A compliment is always a lovely thing – but a compliment from Nuala was hug-yourself-good! Better still was the mini discussion about the context of the poem; about getting historical facts right; about the joys and frustration of research. Those few minutes, snatched before Nuala’s reading, were moments I’ll treasure.
That, and bringing my womenfolk home again.
Busy busy today, so here is a quick contribution for the day that’s in it:
You can read an interview with Barghouti in The Guardian here. I also recommend that you read his wonderful memoir, I Saw Ramallah. It was one of the books I read before I travelled to the Palestinian West Bank in 2008; its lyricism and images remain with me.
Recently, I bought a second hand copy of The Rattlebag, edited by Seamus Heaney & Ted Hughes. I’ve been dipping into it every night before I put my head on my ownpillow. It’s fun: just opening a page and seeing what a poetry lucky dip has in store for me before dreamtime.
Whatever you do this National Poetry Day – have a good one. And, if you can just take a bit of quiet time for yourself, read a verse or two.
Initial submissions will be whittled down to ten poems. There will then follow ‘A national conversation’, before the winner is announced. Nothing like a national conversation to throw up a bit of controversy.
John Kelly will also present a new documentary on Irish poetry from its earliest origins (written, presumably) – well over eight hundred years ago.
Frank McNally is a bit of a gem. He’s heading for Junior National Treasure – only because he hasn’t reached the official age of retirement.
I have read his Irish Times columns for many years. I love his humour, turn of phrase, and the way he can twist a theme in on itself. His love of language is infectious.
Today, he wrote about a small item in the property market lists: The sale of Billy Brennan’s barn. Being a Monaghan man, this is familiar terrain for McNally.
Those of us who recognised the name smiled immediately, and read on. You may read ‘Bidding for Literary Fame’ here.
To elucidate a little, here is the poem which references that barn:
Inniskeen Road: July Evening
The bicycles go by in twos and threes - There's a dance in Billy Brennan's barn tonight, And there's the half-talk code of mysteries And the wink-and-elbow language of delight. Half-past eight and there is not a spot Upon a mile of road, no shadow thrown That might turn out a man or woman, not A footfall tapping secrecies of stone. I have what every poet hates in spite Of all the solemn talk of contemplation. Oh, Alexander Selkirk knew the plight Of being king and government and nation. A road, a mile of kingdom. I am king Of banks and stones and every blooming thing.
A quick update on the Walter Macken front.
Bello publishing – part of PanMacmillan – are to release some of Macken’s out-of-print novels as E-books.
You can listen to a report about it on today’s Morning Ireland on RTE Radio 1. It includes a short interview with Macken’s eldest son, Wally (Walter Jnr).
Great news for those who have wanted to discover, or re-discover Macken’s work.
So I arrived in Sligo on Sunday, in time for the launch of the Yeats International Summer School by Alan Gilsenan: film maker, writer, playwright … hell, renaissance man basically. The next time I blog about the School it will be in a more serious vein, and I will return to Gilsenan’s speech because he made some very pertinent points. Some things haven’t changed since Yeats spoke of greasy tills and Art beaten down.
But for now, a quick postcard from Sligo:
As I type in the internet café the sun has come out at last. It’s either poured, rained, spat, or mishted [sic] since I got here. And what matter. Sunday found me in a grey Drumcliffe brightened by the rector’s welcome to our bundle of Yeats scholars arriving for Evensong – now a long established tradition. The service included a prayer of gratitude for the patrons of the School, notably those who fund the Pierce Loughran scholarship, of which I am a happy and grateful recipient. Thanks to the Loughran family I am in Sligo fed and found, with entry to all events. Whether a believer or not, it’s always nice to say thank you. And my Mum will be delighted that her pagan daughter ended up in a church on a Sunday, singing All Things Bright & Beautiful!
There was a trip around Yeats country, and a dinner for everyone to top off Sunday. Then, time to settle in, get my bearings and find a rhythm to the days. I’ve never stayed in Sligo before,but I think I’ve managed to grasp the one way system and to suss out the decent parking spots. Some of us are staying outside the town in the Yeats Village student accommodation (yes, the poor man is everywhere). I’ve furnished my student nest with necessities: real coffee, cafétiere, books, my poetry notebooks, a radio, chocolate. Reader, I’m a happy camper.
The day breaks into two lectures in the morning, lunchtime events here and there, a weekly-themed seminar from 4.30 to 6pm, with evening readings at 8pm followed by mayhem in various bars. There was an Open Mic in the Yeats Memorial Building Café today; another one next week. The Yeats Society is housed there and is a great resource – the library in particular. The staff and volunteers are fantastic. Looking to the future, they have formed a Young Yeats Society, some of whom are volunteers for these two weeks of the School. One of them, Kerry, is in my seminar.
Today I needed time out, and drove south west to Strandhill, where I hit the lauded Shells Café for a very late brunch. Bless them – I got there on the cusp of 1pm and they still gave me a breakfast of Eggs Arnold and damn fine coffee. Oh, and a side of chips.
They were the chips of our memories: chips from a real Italian chipper; the chips you had as a kid on the first day of your holidays at the seaside; the chips your Dad brought home as a surprise; chips with crunch, and crispy bits; chips that were handcut; chips – in short – that were made and cooked with Lurve.
I will dream of those chips. In fact, I may have to travel back out to Strandhill for another SOUP PLATE of them. Yup – they arrived in a soup plate. €3. I repeat. €3. That’s all. For a little bit of potato heaven. Served with a smile.
I got a takeaway coffee in a funky Shells paper cup and stood at the sea wall, letting the incoming mist hit my face, clearing cobwebs of academic argument. Then, turning Mighty Aphrodite – the Blue VW Polo – around, I headed up Knocknarea mountain and back around to the archaeological site of Carrowmore. I was running out of time, but another €3 at the small, perfectly formed Office of Public Works centre bought me the chance to walk a mown grass path up to the large cairn. I circled it and the megalithic tomb within, before heading back to town in time for my seminar. This week it’s Yeats and Heaney, and it’s just GREAT. More of that anon.
But for now, a little tongue-in-cheek whatnot I conjured up on the drive back into Sligo:
The Yeats School Days – in Clichés.
Three euro to park in the Cathedral,
Three euro for 5000 years of Carrowmore.
You pays yer money,
You takes yer choice.
Then straight off the rocks,
Into Heaney and Yeats.
Shaken and stirred.
c. Karen J McDonnell July, 2014.
Now, I’d love to stay and chat, but I’ve a reading from the Gallery Poets to get to!!